A Train Arrives at the Station

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

Wish Us Luck

A one-month-journey of twin sisters from London back to their home, Bangkok, by train. They traveled via the famous trans-Siberian route through many countries such as Germany, Russia, Mongolia and China, with many stories to tell.

Christmas with the Desert Children

A short documentary about Father Christmas' annual six-day trek through the Australian desert aboard the Tea and Sugar Train.

Murder, She Wrote: South by Southwest

Jessica Fletcher searches for a woman who witnessed the murder of a man trying to expose a serious flaw in a top-secret government satellite code.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Black Mirror: Bandersnatch

In 1984, a young programmer begins to question reality as he adapts a dark fantasy novel into a video game. A mind-bending tale with multiple endings.

Before Macintosh: The Apple Lisa

Explores the history, technology, people, stories and industry influence of this lesser-known personal computer. The film profiles important individuals involved in the creation of the computer, plus its life after cancellation, both as an entry-level Macintosh compatible and as a collectible. The work of Douglas Engelbart and his team, plus advances from the Xerox Palo Alto Research Center (PARC) with their Alto and Star workstations were the initial innovators of the Graphical User Interface (GUI), but the Apple Lisa stands as the clear foundation for what we all use today -- Macintosh -- Windows -- iOS -- Android.

Berlin: Symphony of a Great City

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

The Station

A day in the life of a train station.

TGV Paris-Bordeaux, la ligne de tous les records

3rd Ave. El

Impressionistic picture of the Third Avenue Elevated Railway in Manhattan, New York City, before it was demolished. Preserved by the Academy Film Archive in 2010.

Crashing the Water Barrier

The story of Donald Campbell, son of the late Sir Malcolm Campbell, British champion auto-racer, and his efforts to survive driving a jet-powered boat at record speeds on Lake Meade, Nevada. After a number of failures at breaking the water-speed record of 216 mph, Campbell and his boat, the 'Bluebird', set a new record by, at times, breaking 250 mph.

Canadian Pacific I

Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.

Canadian Pacific II

Canadian Pacific II is designed as a companion piece to Canadian Pacific I. Shot from a window two storeys higher and in the building adjacent to the artists’s studio of the previous year, one enters into a dream state… an involvement with a vocabulary of seeing and feeling by subtle transitions of the passage of time

Runaway!

A group of skiers are trapped inside a runaway train hurtling down a mountainside.

Television

Promotes television sets and the broadcast of New York's first regularly scheduled programs by providing a clinical look at the inner workings of television, including the manufacture of the tubes, lab experiments, and an actual telecast. Shows RCA's production studios in Rockefeller Center, television demonstrations at the 1939–40 New York World's Fair, RCA's Empire State Building transmitter, and remote mobile broadcast units. One of a variety of "Reelisms" shorts produced by Frederic Ullman Jr. and Frank Donovan for RKO in the late 1930s.